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Birds, bugs and butterflies at third Brunswick Valley Nature Festival

The 2008 Brunswick Valley Nature Festival will be all about conserving biodiversity in our unique natural environment. The theme “Birds, bugs and butterflies” will highlight the threat of climate change to the region’s biodiversity as increasing numbers of species face extinction, and just what that means for our future.

The Festival will be at the Shearwater Steiner School at Mullumbimby on Sunday 1st June, 2008. You can read more about the Festival at www.brunswickvalleylandcare.org.au The day will include workshops and presentations, bird walks, and lots of hands-on and fun activities for everyone.

Put the date in your calendar now. Volunteers are needed to assist with the organisation and to help out on the day – please offer your services if there is anything you would like to do to make the Festival a success. Volunteers are invited to call Adrian on 6685 1287 or email to brunsvalley@optusnet.com.au Posted by Adrian Begg, Brunswick Valley Landcare.

Byron Bay New Year’s Eve 2007 – Safe Community Event

The Byron Bay Safety Committee has again been formulating the program for a safe community event for this years new years eve in Byron Bay.

With the success of recent years low key, community based, alcohol free, new year event, the same formula is planned for this year to ensure a safe night. said Chair of the committee, Mayor Jan Barham. Council has again resolved to provide a safe environment by the use of alcohol prohibition on the streets and parks in both Byron Bay and Brunswick. The format for NYE in Byron Bay will proceed as it was last year, focusing the event on the beachfront reserves and minimise the impact on local businesses. The committee is also calling for stall holders to make an expression of interest to have food and craft stalls on the night and an opportunity for community groups to have free stalls to showcase their work and activities. Details of how to apply are available on Councils website and via advertisements The event will commence at 3pm with children's activities and market stalls at the beach front.

The popular parade will feature again and there is a request to the community to join in by starting to prepare costumes and group presentations This year the support of Byron United is welcomed and there is a strong spirit of cooperation to provide for a safe, community friendly NYE in Byron Bay. Licensed venues in Byron Bay will again provide exciting events but these are ticketed and size limited, so those wanting to celebrate the night will need to get in quick to ensure they get a ticket.

Many restaurants in town will also be open and also require booking said Cr Barham. The committee thanks those local performers who have offered their talents for the night and buskers are invited to apply to perform on the night.

The Safety Committee also appreciates the generous donations from businesses for prizes for the parade and is hoping that there may be other support offered to assist in the provision of necessary infrastructure for the night. If you are still looking for accommodation over New Years Eve, visit our Still Available for NYE Accommodation Guide.

Living In The Byron Bubble

It is possible to fall as passionately in love with a place as with a person.

Both types of love affairs follow the same psychological lines of unfoldment. You set eyes on the intended. Sparks fly. Before you can say "Jack (or Jill) Robinson" or "Belongil Beach", you're smitten by the love object, who appears, initially to fulfill all your wildest dreams.

You flirt, you put your toe, so to speak, in the water, you grow superficially acquainted; then, more often than not, you plunge rapidly into what our culture mistakenly identifies as intimacy. That is to say, you are in bed together - literally or metaphorically, or, if you're lucky, both. You don't want to be anywhere else. He/she/this place is your heartland. It all becomes very intense. It begins to feel like - let me surface for a deep breath here - This is It! You hang out together, superglued at the hip by the seductive power of pure potential. You make plans, you fantasise about how perfect the future is going to be. A classic case of pure projection, as the shrinks would say.

They also say that with person-to-person love affairs it takes about two months for the initial limerance, that delectable word and state, to wear off. With locations, special place with which you have fallen truly, madly, deeply in love, it can take years for the romance to wear thin, for the honeymoon to be over. And then it's time to make a decision. Do you want to bail out, seek a new love interest and start the courtship phase all over again - and that may well be an appropriate course of action - or do you want to recommit yourself to your loved one and move on to a deeper, restructured phase of relating?

For several months after I moved from Bondi Beach to Byron Bay, Australia's most easterly, surf's up ecotopia, I had to keep pinching myself to make sure this radical relocation was for real. In the lee of the Cape one diamond day, I sat down and wrote a long euphoric, gratitude list, the core components of which, on reviewing, still hold true:

  • Byron is a viridescent, sub-tropical jewel in the continent's bellybutton.
  • Byron is not just a ravishing physical environment, it is a state of mind. It occupies an affectionate place in the national psyche, in the Australian Dream, and rightly so, for it is a place which affords you the time and (microsocietal) permission to find out who you are, apart from what you do.
  • Byron is one of the last bastions of the invididual, or as one local wit once put it: "the truth is out there - and so are we."

Exquisite jewels, when held in a certain light, however, may exhibit the odd dark facet. What the visiting apostles of trendiness can't perceive when they rock in, in the four-wheel drives, with their rose-colored glasses, their fingers drumming impatient tattoos on café tables all over town ("the service is so slow," they gripe) is that living here is an outward-bound course for the spirit, a post-graduate degree in personal boundary setting. As they say in New Age-speak, whatever or whoever your issues, you'll get plenty of chances to confront them in a small place like this. Ain't no metropolitan anonymity 'round here, folks. Your "stuff," as they used to call it in 80s self-awareness seminars, will be in your face often - at the post office and the weekends markets, in the library and the yoga classes, on the beaches…

You can pick the new residents because they rave about how wonderful it is to walk down Jonson Street and say hello to so many people they know; because they're more interested in finding out how you make your money than who you sleep with and because they've just rented a post office box for two months and announced smugly: "Yeah, I'm a local."

The longer they live here, the more they are likely to develop a different worldview. For example, I have stumbled on a new definition of forgiveness. If you spot someone you know, but now wish you didn't, in the soap powder aisle at Woolworths, that inevitable epicentre of desirable and undesirable social collisions, and you feel the urgent need to turn your trolley around, slip on your dark glasses and zoom off in the opposite direction, you clearly haven't forgiven them. If there is a theme song for the Days of Our Byron Lives, two strong flipside contenders would have to be How Sweet It Is and Nowhere To Run (Nowhere to Hide).

Despite this goldfishbowl existence, for almost seven years I barely stepped foot outside the Shire. For certain goods and services unobtainable in the Bay, I would occasionally cruise over to Ballina or to Lismore, where the streets are filled with folk who look like extras from a Fellini film. Going to the Gold Coast gave me a headache, literally. On the intermittent occasions I went to Sydney, I got sick. As for Queensland, I'd done my time there while growing up and now only crossed the border into the Deep North to attend funerals.

My Sydney friends envied my idyllic incarceration, turning up once or twice a year for R & R from their life-leaching corporate schedules.

You can grow quite cocooned and self-satisfied living in the Byron Bubble. Which I discovered one year when I drove to Hervey Bay to join some friends on a week-long whale-watching expedition. Travelling up with a Byron acquaintance and her small son, we stopped for a tea break at a roadhouse outside Bundaberg. After the tea, we walked back to my old Corona, parked in the vast bitumed car park. As we drew alongside my car, we saw a big, bearded man who looked as if he customarily ate four cows for breakfast, standing with his hands on his substantial hips, inspecting the stickers on the rear window. One of these said: "The goddess is alive. Magic is afoot."

"Which wunna-yous'd be the goddess?" he challenged in a surly voice, a real ton-of-fun kind of guy. Before we had a chance to reply, he turned his back, folded his massive frame into his Queensland-registered, mud-spattered ute and roared off.

Aside from anything else, I've grown accustomed to and fond of the local semiotics. In Sydney, for example, the shops feature large signs warning in capital letters, that shoplifters will be prosecuted. In Byron, smaller signs in calligraphy chide the customers that "Stealing is Bad Karma." In Byron "Magic Happens" is the ubiquitous bumper sticker which signifies a belief in the benevolence of the local atmosphere. In Sydney, it's the name of a singles club for thirtysomethings.

The nature of personal reality shifts as constantly and subtly as the sands on Tallow Beach. Examining the shape of my current dunes of desire, I'm still glad I swapped a sizeable salary and the crowded isolation of Cement City, for a reordered set of life priorities, for soul-salving scenery and treasured friendships, for a strong sense of community, albeit one with a measure of small-mindedness.

According to one local real estate agent, writers are now featuring strongly among his property buyers. Byron has become what David Brooks calls a "latte town" and now I wonder if we're turning into an Antipodean version of L.A. as an industry town, but instead of every second waiter or taxi driver or tarot card reader being an aspiring actor, ours are writers. Well, there could be worse demographics, I reckon.

Cappuccinos, internet cafes, international change bureaus and writers notwithstanding, Byron is still a very small town.

Nevertheless, I've discovered it is possible to deepen in one's affections for the beloved - warts (Christmas tourist plagues, overdevelopment, galloping gossip) and all.

Life in Byron has given me the time, that luxury commodity which trades at a premium in the city, and the mindset to deconstruct and reinvent myself, to feather my own seaside nest. And it was only a few years ago, the seventh year of the proverbial itch, when I realised that, having made my own cosy green bed, I wasn't obliged to lie in it all the time.

I found myself ogling travel brochures and considering short-term contract jobs abroad. I found myself spending a few seasons on Sydney's northern beaches. One vitreous autumn afternoon, while walking on Palm Beach, I ran into a film producer I'd worked with during the 80s. This man, a veteran surfer, had lived at Cooper's Shoot in the 70s and he knew the Shire well.

After we exchanged pleasantries, he challenged me with: "I thought you went to live in Byron Bay?"

"I did," I replied, "but that was 1991 and I'm a big girl now. I'm allowed to come out sometimes and play in your back yard."

Moments later he told me about a recent trip he'd made to London. He spoke of how much he had enjoyed the change of scene, the experience of mixing with, as he called it, "a different strata of society."

"Exactly!" I concurred, hoping to reiterate my point about pluralism.

But his eyes grew glassy. My point had not punctuated his bubble of belief in Byron as the ultimate, one-way destination, as a kind of Hotel California of the Far North Coast - you know: you can check out, but you can never leave.

After the film producer and I said farewell, I walked north towards the Palm Beach lighthouse. Like Frodo Baggins in Lord of the Rings I found myself thinking warm-fuzzy, hobbit-like thought of home. As Frodo said before he set out on his 1000-page adventure: "There have been times when I thought the [Shire] inhabitants too stupid or dull for words, and have felt that an earthquake or an invasion of dragons might be good for them. But I don't feel like that now. I feel that as long as the Shire lies behind, safe and comfortable, I shall find wandering more bearable. I shall know that somewhere there is a firm foothold, even if my feet cannot stand there again."

The 4th Annual Fatherhood Festival

will take place Aug 31 – Sept 2nd, and Sept 8th, in Bangalow, NSW. Please check the web site for the huge program of nonstop concerts, panels, workshops, exhibits, activities, resources and more! Attached you’ll find the press release about the first event – the Fatherhood Concert on August 31st featuring LIOR & KEV CARMODY.

Keep your eye out for info on the special panel on September 8th featuring 2006 Father of the Year TERRY HICKS.

On Tallow Beach

Going down to my local beach always reminds me of being born. I’ve been cocooned, writing for ages on the “inside”, when suddenly I hear the roar of the breaking waters, the contractions begin and the big push to get out into the wider world is on. The birth canal is the path cut through the big entrance dune, which I enter through a shady tunnel of tuckeroo trees. I emerge on the “outside”, wide-eyed, wet, salty or licked alive by the wind, reborn into any one of myriad scenarios, for this beach, like all beaches, has its moods, its changing casts and hues.

These alter, subtly or dramatically, from hour to hour, from moment to moment. If I come down morning, noon and dusk on the same day, I can be gobsmacked by the awesome manifoldness of creation. I may find myself invigorated by an early splash in a choppy, overcast Pacific, burnished by midday’s merciless rays, then swaddled in sunset’s rubescence. When I can retain the raw receptivity of infancy, the innocent eye of childhood, these are votive scenes. They’re precious gifts and just the jolt to get me breathing deeply.

Cresting the dune one autumn morning, I crane my neck for a quick preview. A long clean streak of space, it’s unpeopled, for the Easter break is over and the tourists have departed, but it is far from a subdued natal setting. It is all airy animation and effulgence down here. The sky is a glistening jellyfish blue (some jellyfish actually manufacture their own light); the light is crystalline, flowing down onto the beach in a white confluence. The salty, sybaritic smell of freedom, like a heat-seeking emission, flies straight up my nostrils.

A lenient sou’easter has the clouds doing some stunning shapeshifting. Overhead, the cumulus have pearly white crowns and distended underbellies of pale taupe. Down at Broken Head, they’re draping whole ravines in dark nebula. Up towards the Cape they are pure ivory, backlit, trailing diffuse streamers of light. Banked in holy masses, they look like religious postcards drifting towards Queensland. This sky, like every sky, like a finger print, is unique. The clouds the clouds the clouds I say, a reflexive daily mantra. The cumulonimbus out to sea are storeys high, their slate foundations fat with rain and hung low enough to graze the horizon.

I look and look at that blurry hyacinth line which the dictionary calls “the range or limit of scope, interest, knowledge”. For a short while, I project my thoughts beyond it, directly -- give or take a few islands -- to Chile. The Chileans, I assume, revere their land and seascapes, too. There must be literature, art, to attest. Some other time I might ask at the library; right now I’m up to my limit on the borrowing quota.

In a library book I once happened upon an extract from Charles Lyell’s Principles of Geology (1830-3) which said : “We know that one earthquake may raise the coast of Chile for a hundred miles to an average height of about five feet. A repetition of two thousand shocks of equal violence might produce a mountain chain one hundred miles long and ten thousand feet high. Now should ... one of these conclusions happen in a century, it would be consistent with the order of events experienced by the Chileans from the earliest times.” That made the survival tactics of Mother Nature and the Chileans sound pretty impressive. But Chile is a momentary idyll. The true, magnetic compass of my interest is here, latitude 28:41, longtitude 153:37, and now, 11am-ish (I don’t wear a watch anymore).

Most natural landscapes, even those which superficially appear barren or bland, are, I believe, rich, multilayered and idiosyncratic. Initially, their surface lines form a pattern of immediately obvious attractions and deficiencies. But since most of them have survived colorful histories that are longer than we can comfortably comprehend, they may also harbour less apparent qualities -- such as antediluvian wisdom, ingrained contradictions, unalloyed compassion, buried vulnerabilities. They may hum with hidden powers and stream with serpentine stories, dark mysteries, magic, myths, poetry and parables. They may cradle deep energies from which may flow either or both of the twin tributaries of delight and tribulation.

These interred treasures cannot instantly be detected or grabbed at by the greedy or the casually curious. Rather, it seems, they may unfold themselves, their portents, promises and higher purposes when we are in the right frame of mind. My own (adult) receptivity to these disclosures developed very subtly, very gradually right here in my own locale. My experience is that place is an active force, capable of a cogent interaction with us, capable of carving a deeply meaningful intaglio in our hearts.

* * *

Straight ahead a couple is fishing. She has just caught something. A white flash flails desperately on the sand until she smothers it with a weighted covering. I am a fish-eater. I avert my eyes, and thank that creature for its life. The fishers have picked a good spot. Half a dozen gannets circle overhead and suddenly one dives so ferociously, so ... vertiginously, it must surely smash itself on the aquamarine tube below. But no. Although a diving gannet hits the water at 96 kilometres per hour, this plunge was, as usual, aerodynamically perfect. It is hard to tell if the bird has caught something because gannets seize fish in their serrated bills and often swallow them before surfacing. In any event, it rises effortlessly from the wash. This dazzling routine is one I’ve seen often, yet each time it affects me the same way. My feet take root like a mangrove in the wet shore and I bear a marvelling kind of witness to the sheer risk and dare of that life-supporting manoeuvre. Of course, the gannets, who need neither affectation nor applause to get them through their days, are not being grandiloquent. It’s all just breakfast, lunch and dinner to them. Or is it? Blind instinct, you might say. Or, watching all those perspicacious encores, you might perceive that the airborne artistry is so effortlessly and immaculately blended into their lives that the two are inseparable. Wo am I, grappling to express and assimilate my own creativity into my life, to deny them that brilliant merger?

A swift scan of the sky reveals no sign of a brahminy kite, but a wedge-tailed shearwater is dynamically soaring on the prevailing winds. Suddenly it parachutes with its wings spread to the max. Devilishly it dips, catches another updraft and soars statically (its tail feathers fanned out and flapping furiously), before gliding, then dropping, then beating the force of gravity at its own game one more time, and lifting higher and higher. Is it scouting for food or is it trying to get somewhere? Is it testing the wind direction or is it – here’s that curly one again – just having fun? On a scintillating, red-letter day like today, wouldn’t you?

The tide is way out, the sand still moist from the previous night’s rain and the ocean has sculpted afresh the long bleached shoreline to the south. I start towards Broken Head, paddling in the shallows. A young kelpie up ahead runs withershins around the clear, kidney-shaped lagoon that wasn’t there yesterday, chasing a white-faced heron, scattering the silver gulls who’ve gathered on its seaward bar. I wonder how old they are, for I’ve heard that gulls, aside from being masters of thermodynamics, can live for as long as thirty years. They lift off, soar in a streamlined circle for a few minutes, then descend like a deluge of white teardrops, their harsh, plaintive cries tempering a sanguine sky which, this morning is giving the turquoise waters a run for their money in the universal beauty stakes. Or seen in another light, the ethers and the ocean are not competitors at all, but a smooth double act, moving and gliding in a curvy dance of their own devising. However you view things, it’s quite a scene down here. My bare feet trip lightly along the shore. I step out in a chest-filling faith that a grand choreographer is at work.

* * *

I think about this place, my home, and how it has seduced me, for better or worse, for richer or poorer, into marrying the Muse; how it has enticed me to put down roots in Joseph Campbell country – following my bliss, trusting the garden path of organic creativity to lead me through some fresh green fields along the way. During this, my own organically home-grown “Course in Miracles” and “Creation Time,” I have gained some priceless experience and understanding.

If -- and there is “much virtue in If” -- for just a microsecond, I allow myself to be enlightened, I can feel in my bones that, finally, it does not matter where “time” takes me, or any of us. One day – who knows? – I may check out of this coastal coven. Somewhere, sometime, I’m bound to say my fond farewells to the flexings and fumings of whole restless planet. But on another plane, I remain convinced that a part of me has been abducted and bound (but not gagged) by the spirit of this place.

This text is an extract from Love Letters from Mother Nature: A Meditative Journey, available from Byron Books, Fletcher Street, Byron Bay or online from Bruce Sims Books. Email: brucesims@ozemail.com.au

 

To The Lake Once More

Near where I live is a ti-tree lake, known in local Aboriginal lore as the women's lake. It's believed that before white settlement the lake was frequented by the Indigenous women, the Arakwal clan of the Bundjalung nation. In particular, it's said that the pregnant women bathed in it because of the therapeutic properties of the ti-tree oil.

An unspoiled place, surrounded by bush, steeped in tranquility, and one white-winged morning in mid-winter I set off, via the beach, to spend some time there. En route I hoped to spot whales, for the Humpbacks were on their annual migratory path from the Antarctic to the tropical waters off the Queensland coast to breed. I was in luck. A mother and calf coasted just beyond the breakers, blowing spume and tail fluking. Seeing this play gladdened me, although it was neither my first nor my closest sighting of those lurching leviathans. My friends Trish and Wally Franklin, who have spent as much time in close contact with Humpbacks as any researchers on the planet, say that such glimpses satisfy "important human needs" which cannot be quantified in economic or political terms. The inner growth resulting from such encounters does not show up in the gross national product, or in the sterile bottom line of the economic rationalists.

In the 1950s Byron Bay was one of Australia's major whaling stations. By 1959 the Byron Bay Whaling Company was granted a quota of one hundred and fifty whales (who in those times averaged ten tons). But by 1960, the whalers had almost wiped out the humpbacks and the barbaric practice was finished. Attitudes, thankfully, have changed and these days the only whales being shot around here are those sighted through the telescopic camera lenses of the whale-watching tourists who cluster around the Cape during the migration season.

When the whales had swum out of sight, I dawdled a while near a colony of crested terns in case a couple of them decided to turn on one of their spectacular paired mating flights. But they were all occupied with what appeared to be their morning ablutions and grooming. A southerly buster ruffled their shaggy black caps so they resembled a bunch of preening teenagers with mohawk haircuts.

I turned inland, following a shallow amber thread of water back to its source. The lake's broad waters were placid and turbid as dark treacle, the perfect inscrutable consort for the faded sky which was dimpled by a white half-moon in the west. The tracks lacing the sandy shore cut through dense scrubby vegetation, a chaotic genius of canopy, understory and ground cover - wallum banksias, broadleafed paperbarks, ti-trees, swamp- and black she oaks proliferated, sheltering grass trees (fetching small fortunes in city nurseries these days), eggs and bacon bushes, lilies, irises, twining snake vines and the tiny ground-hugging and carnivorous sun dews plant which eats ants for breakfast.

Like so much of the Australian bush with its muted, grey-green and brown tones, this was not a place that socked you in the eye with a gaudy or grand beauty. But, alive with the croaky calls of wattle birds, the startling flashes of yellow on honey-eaters mid-flight, the thin notes of red-backed fairy wrens in the undergrowth, the murmurs of a zephyr through the tall, dry reeds, the bush radiated its own vibrant appeal.

That morning it was not a panorama I wanted (although the human eye naturally sees in panorama, in sweeps of roughly one hundred and forty degrees), but the intimacy of a sunny nook, so I retraced my steps to the seaward neck of the lake and, loose-limbed, all eyes, all ears, nestled against a grassy bank. A Welcome swallow flitted back and forth across the water, deftly skimming within inches of its surface. To my ears, its song was a long quiet, rambling twitter, but another bird would have heard the swallow's song as a much more complicated rendition. Such birdsongs often feature a detailed pattern of melody and rhythm, but they are broadcast so fast that humans can only identify them as a twittering, like a tape of our speech on fast forward. Although we hear sounds over a similar range to birds, they can hear ten times faster than us. Who then lives in the richer world, stereophonically speaking?

From the upper branches of a casuarina tree, a brahminy kite lifted off, performing a series of slow, fluid arabesques over the channel before cruising north on its solitary hunting rounds. On the opposite bank, the shallow water's slight ripples were mirrored as silver ribbons of wavy light on the pale, flaky trunks of paperbark trees. With a softened gaze, I watched those light waves. Time passed. I closed my eyes to help the entrenched, eagle-eyed observer in me, the one who always has to apprehend, to gradually let go. I allowed my shoulders to drop and my mind to be carried along as if by the water’s current. An image of my backyard heliconias came to me, bringing to light a dream from the previous evening. In that dream, the heliconias had "spoken" to me.

"See how we're always sending up new shoots? We let them all come up to the surface, to grow tall and stand together in a supportive clump. That's why we're beautiful." As psychological metaphors go, this certainly made sense to me.

I sat very still, breathing and listening, until the flickering light behind my eyelids faded out, until the place's serenity began to permeate me, until she and I grew seamless.

* * *

That evening, in my garden I sat on a rock and arranged around me a semi-circle of citronella candles. Under a fine spread of stars, I inhaled the candles' lemon scent and exhaled my thanks for all the beauty I'd encountered and absorbed in my time on this plane. Beauty, I realised, had informed and directed large tracts of my life, much as the stars have always done for mariners and for certain migratory breeds of birds.

Since childhood, my perception of beauty had been principally and inextricably linked to nature. Like a doppleganger sparking the embers of cherished memory, it lingered, even decades after the original physical formation had been obliterated by a dam, a freeway or a new housing development. In quest of beauty, I had variously moved house, borrowed money (to renovate), fallen in love, created a garden, travelled afield.

Yet as I pondered, a "modern", dissenting voice inside my head spoke up, playing devil's advocate, denigrating beauty and giving it a bad rap. "Beauty is in the eye of the beholder," it said, trotting out a tired and cynical cliché. I countered with Matthew Fox's claim that this facile and glib dismissal of beauty occurs because "harmony and cosmos are so little dealt with. Beauty alerts us to our cosmic connections." A dyed-in-the rainforest Romantic, I threw in some classic Keats, too: " ‘Beauty is truth, truth beauty,’ -- that is all Ye know on earth, and all ye need to know.’ " And a succinct swipe of Blake: "everything that lives in Holy."

The dissenting voice grew a little shrill in its demands for me to recant: You Romantics live in a dream world, eschewing science and the hard, dark facts of life, it said. So I parried with a few insights from Peter Marshall's Nature's Web: "Romanticism not only offers a modern way of experiencing reality, but forms the basis of a truly ecological sensibility." For Romantics see the universe as a living organism, an organic whole. Through their exuberant pursuit of individual expression, they, like most ecologists, esteem unity in diversity. They have a love of unspoiled natural environments, of wilderness and pristine places. They intuit the divine presence in all things and in their desire to interpret nature, are avid explorers of all levels of consciousness.

What a tragedy of our times that beauty needs to be sanctioned, I thought. Fox claims that Westerners lost beauty when we lost the creation-centred spiritual traditions -- in effect, when we lost the cosmos.

And so the dialectics went, until, weary of them, I dropped into meditation... Afterwards, the candles were burning low. It was late and I wanted to sleep, for at first light I was going to the Belongil estuary to bird-watch.

This text is an extract from Love Letters from Mother Nature: A Meditative Journey, available from Byron Books, Fletcher Street, Byron Bay or online from Bruce Sims Books. Email: brucesims@ozemail.com.au

Green Ink

EXACTLY when I became an addict, I can't say, for the compulsion to green your own ground, like the spur of necessity to write, can creep up on you. But somewhere, somehow, several seasons back I became a compulsive planter.

This planting proclivity, this imperative dalliance with the dirt, which the dictionary describes variously as: to set (seeds, crops, et cetera) into (ground) to grow; to place firmly in position; to establish, found, to implant in the mind, can lead you into some shady and secluded avenues of cross-fertilisation, as I discovered recently when I found myself writing a book about nature, a process which taught me, among many things, to surrender to life's fluctuating rhythms of engagement.

One day I'm out walking in the wilds or working in the garden, exposed to the sun, the wind, the scent of salt air, the clouds of mosquitoes and fiery nests of jumping ants; next day I'm a lounge lizard, reading all manner of books, poetry, magazines, the local rag, idly doodling daisies, adjectives, ideas and disembodied phrases in my notebook. These wisps entertain the mind and set it off on new and sometimes wildly tangential courses. Some courses I bypass; others I follow, contemplatively tossing them around in the compost heap of my mind where they age, gradually break down and, in a fresh, unrecognisable form, serve as fertiliser for a whole new creation.

When you're trying to cultivate your own creative course in life, your best bet is to follow the chief force of attraction. For me, right now, that is down amongst the densely planted trees in my backyard. Pottering amongst them, I find myself steeped in a still satisfaction. I may ponder a prevailing problem or momentarily immerse myself in the borrowed scenery of some fuzzy future, but mostly my mind is, as Marvell put it: "Annihilating all that's made/To a green thought in a green shade."

This past summer, the remorseless sub-tropical humidity hit hard. In my neck of the woods, or what's left of them, the trees are an antidote to enervation. One morning I ambled under the canopy and sat on a rock the size of a small television set. This rock I had uncovered several days before while digging a hole to plant a tree fern. Using an old fence paling and the garden hoe, I had, with the help of a neighbour, levered and heaved it out of the ground.

Sometimes when I settle on that black rock awhile, certain ambiguous concepts, muffled desires, imaginative or emotional filaments as fine as dandelion flowers or finch feathers begin to float up. If I can resist clutching at them, they will sail towards me and settle softly on the shoulders of my writing. Then, like a mother hen with an itchy wing, I will scratch and stroke and smooth them. I will cluck over them and hold them up against the harsh light. Days, weeks, years may go by. Eventually, they will coalesce on the printed page.

Meanwhile, on the lounge lizard days, I assume the horizontal and investigate all manner of things about trees, turning the pages and chewing on the irony that so many of these sentient beings lay down their lives for the paper on which the information I seek has been printed. In a hard-bound exercise book, for which even more trees died, I make notes.

Importuning the powers that be, I mutter: Hopefully this is all in a good cause. I write down:

  • A mere acre of trees can remove approximately thirteen tons of dust and gases from the atmosphere every year.
     
  • The ancient Greeks attributed great oracular powers to oak trees because their roots penetrated so deeply into the earth, the repository of wisdom and insight into the future.
     
  • The Druids so revered the oak that it signified their order.
     
  • Merlin, it's claimed, conducted his enchantments in the shade of an oak tree.
     
  • The Kadamba was one of Krishna's favourite trees, while the myrtle was said to be sacred to Aphrodite.
     
  • In pagan times people believed that spirits lived in trees and they would not pass particular sacred trees without stroking their bark to assuage the trees' spirits, to tap into their wisdom, or perhaps to make a wish. Hence the expression "touch wood."
     
  • While no one in Australia, to my knowledge, has attempted to put a monetary value on the many vital services that trees provide, the California Department of Forestry and Fire Protection has had a go. They calculated that a single tree that lives for fifty years will contribute services worth almost 200,000 American dollars to the community during its lifetime.

Discovering all this stuff, however, does not alleviate the planting addiction on which I find myself hooked. If anything, it only intensifies it to the point where I can hardly keep my hands out of the soil or my wallet. On the fringe of the forest, I scan, plot and plan -- a Flindersia brayleyana here, a Syzygium luehmannii there. I wish someone would start a Planters Anonymous program for us addicts. I've lived in the Rainbow Region for several years now, so I've heard the 12-step meeting spiel.

Sitting on my television rock, I give it a birl: "Hi. My name's Shelley and I'm an addict. Some days I just cannot stop, even when I'm aching and sweaty and exhausted. The mere sounds of the names seduce me -- Waterhousia floribunda, Randia benthamiana, Cryptocarya obovata, Toona australis. Every time I drive past a nursery, I struggle to keep the wheels steering straight ahead instead of veering left for a quick green score. I've clocked up nearly two weeks' clean time, but if I'm truthful, that's only because I spent the money earmarked for the electricity bill on twelve mature Bangalow palms and now I'm broke for a while."

Leaning my back against the trunk of a Swamp Mahogany, I consult my higher power about this compulsive-addictive syndrome.

What do you advise? I humbly petition.

An authoritative voice replies: Keep planting. Keep writing. You are indeed deep in the forest right now, but on the right track.

I scratch my head. Was that my higher power or my earthbound ego speaking? Is there not a part of me, of all of us planting addicts, that wishes to make our own miniscule green mark on the planet before we pass on to the happy planting grounds further afield?

In the writing life, what else can you do but fossick through the fragments of your own fancies, fetishes and frets? Every so often a gossamer outline of the impending work hangs suspended in a clearing up ahead, glimmering like a tinselled cobweb in the dawn dew. But you must approach it tenderly. If you charge at it or through it, you will mangle it, destroy its fragile and particular form. And then you'll have to stay up half the night like a deranged Daddy Longlegs, frantically fine-spinning the words all over again. And after all that effort, you still may not manage to weave the exact same gorgeous web on which you first set eyes. This business of approaching and unveiling one's work and, ipso facto one's life, can be a delicate operation, a sensitive balancing act, a steep, respectful learning curve.

The secular world promotes the full speed ahead, gung-ho approach to achievement; it advocates techniques like goal-setting, check lists, time management; it sanctions the imposing and overlaying of a preconceived pattern. But when you're writing or preparing to write, you are, as often as not, in a dappled zone of revision and recantation through which a wintry mistral of ambivalence constantly blows. It echoes in your ears, irritates your eyes, keeps you generally edgy, wavering, or shaken. You dare not complain about it, for it insulates you equally and alternately against your vicious inner critic and your impulses to lapse into creative complacency.

For days or weeks the work may not go well. Then one morning, for no apparent reason, the cotton wool clouds of your thoughts part and a pale crescent moon of clarity reveals itself. You grab the pen. Gratefully, you outline a lunette of words. With wild abandon or detailed deliberateness, depending on the depth of your desperation, you trace its arc amongst the work. By sunset, you're thinking "at last the lines are fallen unto me in pleasant places, yea, I have a goodly heritage and will shout myself an Indian takeaway tonight and maybe even a massage tomorrow."

The thing about the work is: you have to persist. You have to sit still somewhere and start. You scribble. And wait. Scrawl a little more. Tap, tap, tap the keyboard. Delete. Cut and paste. Tinker. Drink endless glasses of lemon water, cups of tea. Gaze out the window, hoping for a lightning bolt of inspiration to strike you. Ruminate. Twiddle. Type some more. A rolling stone gathers no moss -- and it is precisely the moss, the soft verdant skin of the work, which you need to allow to grow on you, to cover you in its moist, dense mats of meaning

To return to the tree-planting trope, the writing process goes something like this: You plant the seed, you water, you fertilize, you mulch. You wait. You are in the early stages of frondescence. Some leaves will thrive, some will wither and fall off the twig. The trunk gradually grows branches, sometimes too many. You prune. You cannot afford to be fainthearted about this, yet you must also be considerate and wily about the pruning -- the amount, the timing of it. If you don't prune enough, the work will grow straggly or unwieldy; if you prune too soon, it will not blossom; if you prune too brutally, you will destroy its inherent shape.

One afternoon in the forest I was down on my knees mulching a Davidson's Plum (Davidsonia pruriens) when something went plop. A Lewin's honeyeater had landed on one of the thick juicy stems of a Giant Elephant's Ear, Cunjevoi (Alocasia macrorrhiza). He peck, peck, pecked open the fragrant, fat pod to get to the tiny red fruits inside, then made a hearty meal of most of them before flitting off. I made a mental note to plant more Cunjevoi -- and then I caught myself drifting like a tuna ensnared in the net of these green ideas

How, I asked myself, had I managed to float this far away from the fast-forward world with which I once so feverishly engaged? Whatever happened to that old eighties part of my persona, the woman who wore stilettoes, silk stockings and navy power suits, who straightened her hair, who rode her animus with spurs on, negotiating city boardrooms and the Himalayan egos of vertically challenged film producers with equal dexterity, who heard the cash register ringing as she churned out slick client copy week after well-paid week? Had I ventured into a twilight glade too far off the bright, beaten track? Was my work too allusive, too meditative, too Romantic?

In quest of reassurance, I prowled my local bookshops and was heartened to hear that the nature sections are among the most popular and fastest growing. One day I dragged myself out of this most easterly ecotopia I call home and schlepped to the city. The mainstream bookshops there had fat, glossy sections for gardening -- Don Burke Does Tuscany and What Rhododenron is That? -- but there was none for any broader view of nature and our relationship to Her (unless you count the panoramic coffee table books). I cast a critical eye over the mass-market, non-fiction best-sellers and wondered, for a nanosecond, if I could redirect my writing inclinations towards, say, Thai cooking or a-thousand-and-one Aussie jokes? Nah. I'm afraid that someone else will have to reap the royalties from those. For better or worse, for richer or poorer, I've not only gone bush, I've also gone and married the Muse. I've put down roots in Joseph Campbell country -- following my bliss, trusting the garden path of organic creativity to lead me through some fresh green fields along the way.

Just the other day, after an especially productive and tiring day of planting, I had a dream. I was walking in an open field emblazoned only by a massive spreading tree like an ancient oak. In a split second, some tremendous invisible force lifted the oak out of the earth, suspended it about ten metres in the clear blue air and began to spin it tremendously fast. Around and around like a whirling dervish surrounded by a huge halo of light it rotated, until its branches contracted and curled in, gnarled and distorted by the pressure. After several minutes the spinning gradually slowed to a halt. The branches began to uncoil and the leaves to unfurl and resume their normal outstretched shape. The surrounding featureless landscape and the whole event were charged with a vital, positive power. Unhurriedly, the mighty force then lowered the tree back into the earth in a new spot only metres from its original position.

I awoke with the understanding that this whole happening was a sign of how certain contretemps, cycles of creativity and changes will erupt from the deep seams of the unconscious and heave us, in spasms and starts, through life, whether we think we're ready or not.

Copies of my book, "Love Letters from Mother Nature, "which explores what it is like to fall in love with a universe that is alive and which prizes nature-as-teacher, are out in the bookshops and on the internet, vying with countless others for readers' attentions, and, like all authors, I wish for healthy readership. But the mind, to resist neurotic longing, must entertain itself, move on. And so the fresh idea seeds for another work are already germinating in the dark humus of my imagination. In my usual plodding pursuit of an elusive ideal, I will continue to plant and prune, to ponder, make notes, write and rewrite until the new work reaches full bloom.

But in the grand scheme, I put my hopes for my writing in the power, the unlimited agent of alteration that illuminated, uprooted, gyrated and transplanted the oak tree.

In the interim, to fill the restless gaps between writing bouts, I continue to make myself useful to the ecosystem. Every so often I step back to admire my handiwork and the gratifying growth of the plants.

So, this is co-creation, I muse.

I talk to the tree spirits, hoping they will take pity on me and let me infiltrate their ancient arcana. Some days I say to them: there must be a story in here somewhere.

The story, I know from experience, will reveal itself piece by tiny piece, clue by subtle clue. To help myself hear it, I attempt to silence the loud clamourings of my personality, to relax my titanic will for long enough to become a clear channel, to allow the magic malleability and creative flux that is part and parcel of all nature to move through me. I sit on my rock and feel the firmness of bark against my back. I listen to the rustling whispers of the leaves, I sift the soil for secrets, I keep my eyes open for omens all around. I drift.

Tennyson said: "More things are wrought by prayer than this world dreams of."

I bless the trees, the soil and the whole complex web of ecological wonders into which they, and we, are inextricably woven. Before I leave the forest, as an act of creative confidence, I invoke the powers of the universe. Standing as still and sturdy as a Moreton Bay Fig (Ficus marcophylla), I reach out my earth-encrusted hands and touch wood.

Life's a Stretch and Then You Fly

Back in the 80s when I was still a city slicker, when work was my raison d'etre, and stilettos, silk stockings and shoulder pads my daily dress code, I had more money in the bank, but I also had hunched shoulders, tight hamstrings and very shallow breathing.

Physically, I barely inhabited my body, and my body, directly reflecting my stressed yet sedentary lifestyle (driving in peak traffic, telephoning and keyboarding 12 hours a day), was tightly compacted, crunched up and brittle as cellophane. In particular, RSI (repetitive strain injury) was my regular companion during those years of compulsive over-achieving.

On a holiday escape to Byron way back then, I yearned, as do many visitors to this region, for some new adventure or experience, some fresh perception of life, some altered modus operandi to open up to me.

Just as intensely I longed for some skilful adept to tie me to a therapeutic rack and stretch my taut and aching torso. In lieu of this unlikely remedy (even among the oddball and esoteric health notices in The Echo I did not spot anyone offering this service), I took myself off to a series of yoga classes. My aims and expectations then did not range beyond the simple wish for physical wellbeing.

In those initial classes, I discovered my body to be flawed and full of old injuries, hidden hurts, unexpected twangs and general resistance, yet it also turned out to be surprisingly responsive to and grateful for the variety of the asanas, the consciousness of the breathing, the attentiveness I applied to the postures. Yoga, I discovered, was cheaper than therapy and it sure gave your mind a rest from its usual obsessions. After three or four classes, I was hooked and have been practising regularly ever since.

Since moving to Byron in the early 90s, I've done yoga on the beach, in the garden; in masonic, CWA and scout halls; in empty office space, a wooden church, in private homes and garages, on verandahs and even in a brick shed

And through all those years and places of practice, it has come to mean more to me than physical rigour, realignment and relaxation. Yes, yoga has toned me and increased my flexibility. It has helped me to breathe more deeply, stand taller and feel more strength and solidity, from the inside out.

But just as significantly it has lifted my self-esteem, cultivated in me more patience and compassion for myself and others. Its graceful movements, its challenging and sometimes reverential postures have taught me where my edge is, and how to honour but not exceed that level of effort, how to work with my fears and pains instead of denying them, how to acknowledge and accept my limitations on any given day and how to surrender when that is an appropriate response.

Like meditation, yoga has induced a higher quotient of mental calm. It has facilitated new mindsets, encouraged me to be less goal-oriented, to desist from competing with and castigating myself for my achievements. Yoga has led me to realise that life, like asana practice, is not necessarily about attainments, but rather about how consciously one can work with one's own limits and recognise one's habits... Etcetera. I could go on.

But the point is, as Joel Kramer wrote in the Yoga Journal: "In physical yoga, the process of confronting and nudging the body's limits, blocks and conditionings opens and transforms you. So, too, as you get to know your mind, how it works and where your psychological limits are, the process opens the mind and literally expands consciousness."

Yoga need not be confined by secularism. As one American teacher put it, yoga can, with the appropriate approach, also stretch and strengthen your "spiritual muscles." Some of the great Indian teachers have proclaimed the interrelationship between particular poses and states of mind. As the Indian yoga master B.K.S. Iyengar put it: "My body is my altar, and my postures are the prayers."

And all this can be experienced in increments, over time for as little as $10 a session. It's much cheaper than psychotherapy and, as I say, it gives the mind a much needed rest.

More than a decade ago, when I began practising yoga, it was still regarded as somewhat "fringe". Classes were small -- six to eight people, mostly aged late thirties and older. Nowadays, yoga has become so mainstream and trendy that classes feature students aged from their early twenties to early seventies. In the quiet months of the year in this tourist town, the more popular class sizes feature 20-25 locals, while during Christmas-New Year, you¹d better arrive at least 15 minutes early if you hope to find a good mat space on the floor, for a big room can pack in about 40 people.

Long-time Byron Shire resident and yoga teacher Jen Norman began practising yoga 30 years ago. She has studied with yoga masters in India, passionately explored different yoga styles over the decades and, in recent years, has developed her own intuitive approach to teaching.

She sees much of the West¹s current fascination with yoga as a manifestation of our ongoing obsession with fitness and bodily perfection.

"Yoga is often misconstrued as a method to gain control of one's life," Jen observes. "Rather than seeking integration and wisdom, people are often attracted to obsessive, self-punishing (and sporadic) asana practice. A lot like the binge and vomit syndrome... "

I concur. At a dinner recently, I heard a woman admiringly describe her female yoga teacher of the day as having "the perfect yoga body." I knew the teacher in question, an attractive, twenty-something, ultra-slim, flat-stomached, long-limbed woman. In short, someone shaped like a Cosmopolitan cover model. To my way of thinking, there is no such thing as "the perfect yoga body," and indeed, some of the Eastern yoga gurus have stocky bodies, bodies with protruding bellies and uneven proportions, bodies most unlike the shapes idealised by Western culture.

According to Jen, yoga serves us when, instead of imposing our mental expectations and projections on the body, we learn to listen and adapt to the body's and heart's needs. She says: "When the energies are flowing freely, the physical body, the mind and the senses become vibrant. A quality of relaxation and balance extends into every aspect and activity in our lives, enabling us to embrace experience directly."

Through her classes, Jen aims to assist students to develop the practice of inner listening (meditative awareness) and the trust and courage to live their heart's truth.

These days, Byron Shire offers a virtual physical pharmacopoeia of yoga classes -- for beginners, for pre-natal, post-natal, pregnant or menopausal women; partnered yoga, remedial yoga for those suffering specific body injuries, ailments or maladjustments; yoga inversions, relaxing yoga, restorative yoga, hot and sweaty yoga, yoga with pilates, aqua yoga, yoga for older people, yoga for surfers, L.A. power yoga, advanced yoga, three-week intensives and yoga getaway weekends.

Among the yoga styles on offer are Iyengar, Astanga, Vinyasa flow, Bikram, Oki Do. Class times range from 6am through to 6pm, seven days a week.

Local aficionados will give you the drum on who offers what. They know which are the "yin" classes that still work the body very profoundly and which are the "yang" classes. The latter can be highly competitive and tough as boot camp, with teachers issuing instructions such as "push!" "come on!" and "hold it, hold it, hold it!". It's worth checking with locals, too, on which teachers have the most insightful, informative and inspiring class talk and which practice venue is the most aesthetically pleasing.

So next time you¹re in Byron, do a little local sleuthing, then carefully choose your own yogic medicine.

In the meantime, as we say at the end of our yoga classes, Namaste (an Indian greeting which means: the divinity in me salutes the divinity in you).

A Taste of Byron 2007 – Byron Bay Food Festival

NORCO PRESENTS A TASTE OF BYRON CARNIVALE DENNING PARK,MAIN BEACH (East Of The Surf Club) SEPTEMBER 22 & 23

The Lions Club of Byron Bay is pleased to announce the return of A Taste Of Byron Carnivale this time over TWO huge days in September. Last year’s event was hailed by organisers stall holders and those who attended as the best yet. Estimates of 10,000 people delighted to the tastes and sounds of beautiful Byron Bay. Over 40 of the Byron area’s finest restaurants, coffee shops and purveyors of fine foods were stretched to the limit as hungry crowds enjoyed a perfect Byron Bay blue sky day. There were cooking demonstrations from leading chefs, great live music, salsa & pole dancing, races for the kids and wine and beer tasting. The laughter in the air mixed with the tantalising aromas of herbs and spices that were lovingly combined to create the signature dishes of the restaurants on display. Because of the outstanding success of last year organisers have decided to extend this year’s event over two days.

Saturday September 22 will be themed as an international Chilli Festival led by our own world famous award winning Byron Bay Chilli Company. Creators of Chilli products from around the world will converge on Byron Bay to compete in the creation of the best chilli dish, sauce or product. The best Margarita will also be judged and sold on the day and there will be Latin Dancing, live music from local area groups and musicians all culminating in the night time with a spectacular fire dance display. There will also be a coffee barista competition where all the local area baristas will be invited to create their best coffee using Byron Bay Coffee. Winners of all categories will be announced on the night. Fresh produce and producers of local food products will also be invited to set up stalls to allow the crowds to sample their wares.

Sunday September 23 will be a huge day of feasting, fun, song & dance all washed down with boutique beers and vintage wine!! This year more than 50 of our great restaurants and cafes are expected to participate creating their own signature dishes and competing for the award of “Best in Show”. Also there will be awards for Best Dressed stand & Best Produce stall. There will once again be an exciting line up of leading chefs demonstrating their art, street performers, games for the kids & more – all in the carnival atmosphere of a beautiful Byron Bay spring day.

Make a note in your diary and book your accommodation now for A Taste of Byron Carnivale Saturday September 22 & Sunday September 23 2007.

2007 Fatherhood Festival

The fourth annual Fatherhood Festival, to be held in and around Bangalow and Byron Bay over the weekend of August 31st – Sunday September 2nd (Father’s Day), got a jumpstart last Tuesday when Channel 7′s Sunrise program recorded live to air from Bangalow. Ken Bright ran a tool box workshop for Dads and Kids, Lisa Parkes had dads in wild relay races with their kids, and the Nappywrap founds had babies and dolls safety-pin free while attending to a parents most important task. The full weekend program of concerts, workshops and activities for the whole family will be announced shortly. Keep informed at www.fatherhoodfestival.com

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